PROCESS
From Paris to Provence, after spending several years as an art director in the world of men’s fashion, I gradually shifted toward a more instinctive and hands-on approach to creation. It was in 2019 that I made a decisive shift, devoting myself fully to ceramics and sculpture, finding in the work with clay a realm of exploration that is both sensitive and timeless.
Now based in La Roque-d’Anthéron, in the heart of Provence, I am developing a visual language that brings together ancient heritage and contemporary sensibilities. Reimagined amphorae, sculptural heads, fragmented forms, and totemic volumes come together to create a world that seems to emerge from an undefined time, somewhere between imaginary relics and contemporary creations.
Material plays a central role in my artistic practice. Stoneware, which I particularly love for its mineral and sensual quality, is shaped, carved, or glazed with a special focus on textures, contrasts, and light. Rough surfaces are juxtaposed with satin or glossy glazes, creating a balance between formal precision and spontaneous gesture.
Somewhere between sculpture, object, and installation, my works explore our perception of time and the memory of forms, as if each piece bore the imprint of a possible past as well as the momentum of a contemporary creation.
approach
From Paris to Provence, after several years spent working as an art director in the world of menswear, I gradually shifted toward a more instinctive and hands-on approach to creation. In 2019, I made a decisive change, committing myself fully to ceramics and sculpture, finding in the work with clay a realm of exploration that is both sensory and timeless.
Now based in La Roque-d’Anthéron, in the heart of Provence, I develop a visual language in which ancient heritage and contemporary sensibility engage in dialogue. Reinvented amphorae, sculptural heads, fragmented forms, and totemic volumes come together to create a world that seems to emerge from an undefined time—somewhere between an imagined relic and a contemporary creation.
Material is central to my practice. Stoneware, which I am particularly drawn to for its mineral and sensual quality, is hand-built, carved, or glazed with close attention to texture, contrast, and light. Raw surfaces meet satin or glossy glazes, creating a balance between formal rigor and the spontaneity of the gesture.
Somewhere between sculpture, object, and installation, my works explore our perception of time and the memory of forms—as if each piece bore the imprint of a possible past as much as the impulse of a contemporary creation.
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